In a recent wave of online backlash, activist Kasmuel McOure has come to the defense of the musical duo Wadagliz, consisting of Kantel Mdagliz and Mannaz. The pair faced criticism from some Kenyans who threatened to ‘cancel’ them for their performance during the Mashujaa Day celebrations at Kwale Stadium, where they entertained President William Ruto.
Wadagliz, known for their energetic hit track “Anguka Nayo,” received backlash from critics who perceived their participation as a political alignment with the current administration. In response to the outrage, McOure highlighted the double standards in the criticism faced by artists, questioning why they are singled out while other professionals, such as politicians and lawyers, remain unscathed despite their involvement in government activities.
In a video shared on social media, McOure stated, “Before you pretend to cancel Wadagliz, cancel the oppressive politicians, the lawyers who defend them, the doctors who treat them, the engineers who work for GoK, the architects who draw the plans, and the teachers who teach their children.” He emphasized that the disdain directed at artists is deeply rooted and often overlooks the hard work they put into their careers.
The controversy surrounding Wadagliz’s performance has sparked broader discussions about the role of artists in political spaces, with McOure asserting that their song “Anguka Nayo” was released before the current protests and should not be politicized. He argues that the attack on the duo reflects a deeper bias against creatives in Kenya.
As Kasmuel McOure eyes a potential political career in the upcoming 2027 General Election, his remarks not only defend the artists but also challenge the public to reconsider their views on artistic expression in political contexts. He has not disclosed which political position he aims to pursue, stating he is still researching the best fit for him.
As the debate continues, it is evident that the intersection of art and politics remains a contentious issue, with figures like McOure pushing back against the trend of ‘cancel culture’ that targets artists while ignoring other contributors to the political system.
